INDEPENDENT OPERA Vocal Scholarship at the Royal Academy of Music

The current recipient of INDEPENDENT OPERA Vocal Scholarship at the Royal Academy of Music is Laurence Meikle

The INDEPENDENT OPERA Vocal Scholarship is to be awarded annually to a second year Royal Academy Opera (RAO) student who during his/her first year in RAO has demonstrated the potential to sustain an operatic career as a principal singer. The Scholarship will be awarded by the Principal of the Royal Academy of Music in consultation with the Head of Vocal Studies and the Director of Opera.  All second year RAO students will be eligible for the scholarship, irrespective of nationality, age or voice fach. The award will be made in the summer term of each year to a student who is completing his/her first year in Royal Academy Opera.

About the Royal Academy of Music

Royal Academy Opera is a specialist and intensive Postgraduate Diploma course for those with the potential and aspirations to succeed as principals at the highest international standard.

The concept of the human body being the singer’s instrument is fundamental; physical fitness, agility, stage technique, communication and vocal skills, together with a broad repertoire, are all prerequisites for today’s opera singers. Classes in bodywork and movement, stage technique, the mainstream European languages, singing lessons and vocal coaching form an integral part of the weekly training schedule.

The three annual productions are directed by highly experienced professional conductors with Academy orchestras. In recent years, students have enjoyed the inspiring leadership of Sir Colin Davis and Sir Charles Mackerras. Since 2001, distinguished visiting directors have included John Copley, Ian Judge, Anna Sweeny, Robert Chevara and Jo Davies. Repertoire is drawn from a wide range of traditions, repertoire and styles, with a strong commitment to contemporary music and historically aware performances.

Students also have the opportunity to study roles in-depth through individual music and language coaching. Excerpts from operas are presented in a series of tableaux. Performance technique is developed through work with experienced singers such as Ann Murray and Dennis O'Neill. Close communication between staff from all areas of vocal and operatic training is considered to be of the highest importance, to balance the course's demands with each student's individual development.

Any opera programme should be receptive to the changing profession. Hence, the Academy has forged close connections with Glyndebourne Festival Opera, the Royal Opera House Covent Garden, English National Opera, Welsh National Opera and British Youth Opera. After two years with Royal Academy Opera, students should be well equipped to make the most of their opportunities in what is a fiercely competitive environment.

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